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College in the Schools - Course Offerings

English Literature (EngL 1001W)

FAQs about CIS Program
FAQs about CIS English Literature
Sample Syllabus and Other Syllabus Resources

Course Description:

ENGL 1001W. Introduction to Literature: Poetry, Drama, Narrative.

(4.0 cr; prereq =1002)

Basic techniques for analyzing/understanding literature. Readings of novels, short stories, poems, plays.

Textbooks:

Instructors select titles to teach in the course from the following book list which is supplemented each year. Other books not listed may be used at an individual instructor's discretion.

Achebe, Chinua   Things Fall Apart
Alexie, Sherman   The Lone Ranger & Tonto Fistfight in Heaven
Allison, Dorothy   Bastard Out of Carolina
Al-Shaykh, Hanan   The Story of Zahra
Alvarez, Julia   In the Time of the Butterflies
Anaya, Rudolpho  Bless Me, Ultima
Baldwin, James   Giovanni's Room
Benitez, Sandra  A Place where the Sea Remembers
Bolano, Roberto  By Night in Chile

Butler, Octavia   Kindred
Cao, Lan   Monkey Bridge
Chopin, Kate   The Awakening
Cisneros, Sandra   The House on Mango Street
Collins, Billy   Picnic, Lightning
Conrad, Joseph   The Heart of Darkness
Dangarembga, Tsitsi   Nervous Conditions
Danticat, Edwidge  Krik? Krak?
Deloria, Ella Cara   Water Lily
Divakaruni, Chitra   The Mistress of Spices
Doty, Mark   Heaven's Coast
Eire, Carlos  Waiting for Snow in Havana
Ellis, Relindes Mary  The Turtle Warrior
Ellison, Ralph   Invisible Man
Emecheta, Buchi   The Joys of Motherhood
Erdrich, Louise   Love Medicine
Erdrich, Louise   Tracks
Faqir, Fadia   Nisanit
Farah, Nuruddin   Sweet & Sour Milk
Faulkner, William   As I Lay Dying
Frazier, Charles   Cold Mountain
Gaines, Ernest J.   A Lesson Before Dying
Garcia, Christina   Dreaming in Cuban
Gilman, Charlotte P.   The Yellow Wallpaper
Goldberg, Myra   The Bee Season
Guterson, David   Snow Falling on Cedars
Haruf, Kent   Plainsong
Hegi, Ursula  Stones from the River
Hemingway, Ernest   In Our Time
Hogan, Linda   Solar Storms
Holthe, Tess Uriza  When the Elephants Dance
Howe, Leanne   Shell Shaker
Hurston, Zora N.   Their Eyes Were Watching God
Jin, Ha   Waiting
Jordan, June   Kissing God Goodbye
King, Thomas   Green Grass, Running Water
Kincaid, Jamaica   My Brother
Kingsolver, Barbara    The Poisonwood Bible
Kingston, Maxine H.   Woman Warrior
Kogawa, Joy   Obasan
Kushner, Tony   Angels in America
Lorde, Audre   Zamy:  A New Spelling of My Name
Marquez, Gabriel   One Hundred Years of Solitude
Mahfouz, Naguib   The Journey of Ibn Fattouma
Martel, Yann  Life of Pi
Monette, Paul   Becoming Man
Morrison, Toni   Sula, Beloved
Mukherjee, B.   The Middleman and Other Stories
Naylor, Gloria   Mama Day
Ninh, Boa  The Sorrow of War
Nye, Naomi Shihab  19 Varieties of Gazelles
O'Brien, Tim   Going After Cacciato
O'Brien, Tim   The Things They Carried
Otsuka, Julie  When the Emperor was Divine
Paley, Grace   Enormous Changes at the Last Minute
Power, Susan   Grass Dancer
Puig, Manuel  Kiss of the Spider Woman
Roy, Arundati   The God of Small Things
Rulfo, Juan  Pedro Paramo
Satrapi, Marjane  Persepolis
Senna, Danzy   Caucasia
Sijie, Dai   Balzac and The Little Chinese Seamstress
Silko, Leslie M.   Ceremony, The Gardens in the Dunes
Tan, Amy   The Joy Luck Club
Tan, Amy   Kitchen God's Wife
Troung, Monique  The Book of Salt
Wicomb, Zoe   You Can't Get Lost in Cape Town
Winterson, Jeanette   Oranges Are Not the Only Fruit
Yamamoto, Hisaye   Seventeen Syllables

Faculty Coordinator:

Toni McNaron, Professor Emerita, Department of English (mcnar001@umn.edu), is the Faculty Coordinator.



NEW: Required Syllabus Addition
Sample Syllabus #1 for CIS English Literature
Sample Syllabus #2 for CIS English Literature
Sample Syllabus #3 for CIS English Literature
Sample Syllabus #4 for CIS English Literature
Sample Syllabus #5 for CIS English Literature
Sample Syllabus #6 for CIS English Literature
U of M Syllabus Resources and Requirements


Frequently Asked Questions

Are all of the readings specified or mandated by the University of Minnesota?  If not, what are some of the choices?

CIS literature has a recommended reading list with about 50 titles on it.  Teachers generally choose books from that list, especially when they are relatively new to the program.  Each summer we read four new titles so that we may add new titles to the on-going list.  We also revisit one often-taught book to see what new insights emerge.

Do teachers have choice in assignments?  Are there required assignments? 

Teachers have full choice in making assignments and there is no set number.  What we agree on is the type of assignments, e.g., no plot summaries or book reports, an emphasis on collaborative work where possible, and creative as well as expository writing assignments.

Who creates the exams?

Teachers create their own exams with the understanding that no one will give true/false or multiple choice type questions.  Essay exams are given in all instances where exams are given.

Is there a mentoring system for new CIS Literature teachers?

We have recently instituted a mentor system for incoming teachers.  Previously I have served as general mentor for new teachers but the new plan will be far superior.  Each new teacher is assigned a volunteer mentor from the staff of experienced teachers.  This is done in early June and the mentors are invited to take part in the orientation day so they can meet their mentees.  Over the summer, the mentors make themselves available at least by e-mail as new teachers begin to build a syllabus for their course, offering advice on which books to teach the first time.  Mentors spend informal time with their mentees during the summer workshops and are then actively available for conversation and advice during the mentees first time through the course.

What happens at your typical Student Field Days?

Students come to campus to hear a lecture by a University professor focusing on one of the critical lenses currently in use in literary studies.  They then participate in small groups, led by the teaching staff, in which they apply the theoretical material just heard to a story they have read before the Field Day.  They also write in the small groups on a topic set by the lecturer.  At the end of this phase they reconvene as a whole and read, if they choose, what they have written.  The students have free time on campus for lunch or just exploration.

What other recommendations or comments can you offer to prospective CIS Literature teachers?

The staff of teachers in this program is simply superb.  They are intellectually stimulating, professionally dedicated, and personally generous.  We work as a team committed to making literature vibrant and necessary in young people’s lives.  Because of this, people thinking of joining the staff need to be ready to attend all the workshops and seminars, both in the summer and during the school year.  The course design is constantly under revision, and so such collaborative sessions are absolutely essential to the success of each offering.

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